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hingis vs. williams
betty moffett
judy hunter
sportsjones magazine
june 23 1998
 
17  vs. 17

Martina Hingis and Venus Williams have a few things in common: both have lived for 17 years, both play superb tennis, and before last month's French Open, each had beaten the other twice this season. In the fourth round of this year's French, Hingis beat Anna Smashnova, 6-1, 6-2, in 59 minutes, and Williams defeated Henrieta Nagyova, 6-1, 6-3, in a little over an hour.

That's about it for similarities.

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These two world-class athletes seem destined for a long rivalry, which could take one of several tones: bitter and ugly, civil but cool, or warm and elegant. Whatever the tone, their differences will intensify the rivalry, at least in the eyes of the tennis industry. And the industry surely finds the contrasts between Hingis and Williams delicious.

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"On court, Williams's expression is often grave, even sad. Occasionally, her eyes swim with tears."
We can start with intrinsic ones. The 6'2" – gangly and lanky are favorite adjectives – dark Williams is a fine foil for the compact, fair Hingis: the angles of Venus's long legs and arms and the dramatic planes of her face contrast with the almost soft-looking roundness of Martina's face, arms, and thighs. Hingis's efficient power comes from the circles of her haunches and upper arms; Williams moves on the extravagant springs formed by long calves and thighs.

Hingis, an only child, is coached by her mother, Melanie Molitor, who watches her daughter's matches with quiet and palpable intensity. Williams, on the other hand, is almost twinned by her tennis-playing sister, Serena; and Richard, her coach and father, claims that watching his daughter from courtside makes him too nervous. Yet he has made his voice heard from off-court, calling Irina Spirlea, who bumped Venus in the process of a court change during last year's U.S. Open, a "big white turkey," and declaring that his daughter would have been justified by retaliating a la Mike Tyson, comments for which he later apologized.


Style and race

Then we can note the created differences. Hingis's short, dyed-black hair disciplined by a wide head band contrasts sharply to the exuberant, mostly white beads that dangle and bounce in Williams's face. Their costumes, too, contribute to the contrast. When they met, amid hype and ballyhoo, in the quarterfinals of the French Open, Williams wore a form-fitting, one-piece dress with an expanse of blue emphasizing her wide shoulders; Hingis appeared in a loose, two-piece outfit with vertical stripes down the sides. She played the whole match, which she won, with her shirttail out.

More subtly and seriously, this rivalry accentuates the different ways these women fit a variety of stereotypes. Hingis, with her deceptively soft-looking body, her tripping steps across the court, even her relatively ineffectual serve, fits the cultural stereotype of the sweetly feminine, the delicate lady. But Williams, with her height, her strength, her visible musculature violates this ideal of femininity.

The rivalry also highlights the racial difference between the two, although the media hesitate to emphasize this difference. There is something admirable in our attempts to be color-blind, but we can't ignore the fact that Venus Williams appears to us through the prism of race. Our history of slavery, segregation, and, to this day, discrimination against African Americans means that many will always perceive Venus as a "black girl." For now, she's a charming, energetic 17-year-old, and we can root for her and feel good about ourselves, as we did quite enthusiastically in last year's U.S. Open final, when she faced Hingis.

But what will happen as she gets older? What if she starts speaking out angrily on the subtle racism she sees every day? What if she becomes "too black" and "uppity"? What does our culture make of African American women with power?

In the conclusion:
the haughty European,
the powerful American
ARROW
 

 

 

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